Thanksgiving Party Philadelphia Pa Nov 25 2006 Part 1
http://www.wordsatransom.com
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Mainstream raves, sometimes described by the backronym Radical Audio Visual Experience, began in the late 1980s as a product of, reaction to, and rebellion against trends in popular music, nightclub culture, and commercial radio.
In order to maintain distance and secrecy from the mainstream club scene, warehouses, rental halls, and outside locations most often serve as rave venues. Some police and government officials from several countries have presented laws that make raving illegal, in an effort to curtail rave parties. Such laws consequently forced regional electronic dance music events to move to formal venues, such as nightclubs and amphitheatres. Some venues and jurisdictions additionally prohibited certain types of rave fashion and paraphernalia - i.e. glowsticks.
Early raves were completely do-it-yourself; only a small number of people contributed to event production and promotion. Self-styled production and promotion companies have increasingly organized raves; the "companies" were usually unofficial or loosely defined. The illegal nature of these events and the need to play 'cat and mouse' with police forces have undoubtedly contributed to the 'underground' appeal of the events.
As law enforcement agencies increasingly began paying attention to raves, concealing a party's location became important to an event's success. To that end, event organizers sometimes either promoted events solely by word-of-mouth, or would only reveal the date and location of the event to subscribers of an electronic mailing list or via voicemail. Some even went so far as to provide a series of clues or map checkpoints that ultimately led to the location of the ravesThanksgiving Party Philadelphia Pa Nov 25 2006 Part 1
http://www.wordsatransom.com
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Mainstream raves, s...all »Thanksgiving Party Philadelphia Pa Nov 25 2006 Part 1
http://www.wordsatransom.com
----------------------------------
Mainstream raves, sometimes described by the backronym Radical Audio Visual Experience, began in the late 1980s as a product of, reaction to, and rebellion against trends in popular music, nightclub culture, and commercial radio.
In order to maintain distance and secrecy from the mainstream club scene, warehouses, rental halls, and outside locations most often serve as rave venues. Some police and government officials from several countries have presented laws that make raving illegal, in an effort to curtail rave parties. Such laws consequently forced regional electronic dance music events to move to formal venues, such as nightclubs and amphitheatres. Some venues and jurisdictions additionally prohibited certain types of rave fashion and paraphernalia - i.e. glowsticks.
Early raves were completely do-it-yourself; only a small number of people contributed to event production and promotion. Self-styled production and promotion companies have increasingly organized raves; the "companies" were usually unofficial or loosely defined. The illegal nature of these events and the need to play 'cat and mouse' with police forces have undoubtedly contributed to the 'underground' appeal of the events.
As law enforcement agencies increasingly began paying attention to raves, concealing a party's location became important to an event's success. To that end, event organizers sometimes either promoted events solely by word-of-mouth, or would only reveal the date and location of the event to subscribers of an electronic mailing list or via voicemail. Some even went so far as to provide a series of clues or map checkpoints that ultimately led to the location of the raves«
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